What is the name of the song which he is singing? Separate from membership , this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time. In the last shot of the scene near the beginning, when Harold tells the Polish lady at the bus stop that he can hear "Harold thought it was a Wednesday," the boom mike dips in for a split second.
We see Karen finishing the manuscript, lighting a cigarette, and becoming very upset. We see Harold in a full body cast at the hospital, still alive. While he should have died almost instantly, the doctor says, he miraculously pulled through because a shard of metal from his watch obstructed the artery from bleeding too much.
Ana feeds Harold a Bavarian sugar cookie at the hospital. In this section of the film, Karen Eiffel grapples with her own cruelty as a writer. Faced with the flesh and blood reality of one of her characters, Karen considers all the ways that she has been unforgiving to her characters in the past, recounting the schoolteacher she killed off the day before summer vacation, and the man to whom she gave a heart attack in rush hour.
In Stranger than Fiction , the boundary between fiction and reality is breached so that the characters can finally see the ways their fictions have prevented them from engaging with the world around them. For the first time in the film, the pathologically morose Karen seems to confront her own conscience. While Karen has a change of heart about her investment in fiction, Harold falls in love with fiction when he reads the manuscript on the bus.
She has killed a school teacher a day before the summer vacation and a civil engineer with a heart attack in rush hour. She guides her characters through the trials and tribulations of their lives before killing them at the moment of their deliverance for the most significant dramatic effect. When Harold and Eiffel finally meet, she has already written down an outline of the ending.
He first gives it to Hilbert, who, in a typical fashion of a dispassionate critic, tells Harold that he has to die as the story is a masterpiece.
It prompts Harold to read it himself, and he does so during one bus ride across the city. Eiffel has been a reclusive all her life. Her encounter with Harold emboldens her enough to face the reality around her. After reading the rewritten conclusion Hilbert is deflated.
But this ending would have offered a far more provocative storyline. And not provocative simply for being tragedy rather than comedy. It would be provocative for affirming the radical transcendence of beauty.
We are familiar with self-sacrifice, and sacrifice of others, for the true and the good even when, at times, we understand the unwillingness to do so. While the suffering artist is a familiar trope, sacrifice of others for the mere principle of objective beauty is less familiar.
Hilbert, and then Harold, stake out a claim: objective beauty is worth dying for. To be sure, Harold has a bit more at stake in this conclusion than Hilbert does, but Harold nonetheless pitches in. Stranger than Fiction tells a fetching story. More, however, it presses our beliefs about the transcendence of beauty in the modern age.
0コメント